Flowers don't do anything

2015

This piece was composed in response to the 2015 Syrian refugee crisis and the November 2015 Paris attacks. It incorporates sampled material with audio clips from news reports and interviews with various United States politicians commenting on the refugee situation. The title comes from a CBS News report that interviewed a French citizen and his son. During the interview, as the father explains why there are flowers put out in the city, the child says, “But flowers don’t do anything, they’re for, they’re for…” Composed using Logic and SuperCollider.

 not ur babygrl

for flute & Electronics

2021

“not ur babygrl,” explores the gender dysphoria I experienced while being misgendered by a beloved. The flutist plays dueling roles throughout the piece, expressing both the chaotic and sputtering world of dysphoria and the consolations of the beloved. This sputtering world gets louder and more insistent as the flutist gradually finds speech, expressed in fragments until finally declaring, “I’m not your babygirl.”

When I’m misgendered, it understandably brings up feelings of dysphoria, and this, as you might imagine, is only exacerbated, made grittier, made more suffocating when I’m misgendered by a beloved. The piece explores this dysphoria, the way it pokes into all the tender places in me, casting me out of my body, sputtering protests against the beloved’s consolations until finally speaking.

Premiered by Ariel Flach on flute & Silen Wellington on electronics in Grusin Concert Hall, March 26, 2021.

 Evident Monsters

for viola, French Horn, and fixed electronics

2023


Evident Monsters is about gender dysphoria, the distress a transgender person might experience due to a mismatch between their internal sense of self and their body or perceived gender. Here, I explore the gritty, complex feelings associated with dysphoria, how it makes me feel like a monster.

Dysphoria like a pendulum thrust of pain in the chest — wobbly, queasy. Dysphoria like — what if they’re right? What if I’ve talked myself into this? What if I’m just…mentally ill. We’re monsters inside, bringing monstrosity to the world as our antagonizers so often say. We are unexpected monsters, hairy monsters, monsters who shape our own bodies, remaking the Lore of the Land, remaking the Lore of how our bodies may be shaped.

According the University of Cambridge, “Monster probably derives from the Latin, monstrare, meaning ‘to demonstrate, and monere ‘to warn.’ Monsters, in essence are demonstrative. They reveal, portend, show and make evident, often uncomfortably so.”

They call us monsters because we reveal, we make evident their own discomfort with queerness, with nonnormativity, with the possibility we exude. We are monsters because we demonstrate how unpredictable a life may become. How changeable, how transformative, revealing the stasis that suffocates.